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The “triage” of Triage: On Cecily Nicholson http://t.co/nR1YBqZa @jacket2mag #poetry #vancouver Friday May 18, 2012
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The Real World? is an early masterpiece from Michel Tremblay, one of Canada’s greatest living playwrights. Tarragon revives this Canadian classic nearly 25 years after it premiered it in English in 1988 with a powerhouse cast: Matthew Edison, Cara Gee, Sophie Goulet, Tony Nappo, Cliff Saunders, Jane Spidell & Meg Tilly.
The mother of a precocious young playwright takes issue with his latest play: not only does it put private family matters centre stage, it liberally blends fiction with truth. A play within a play, The Real World? remains a groundbreaking work about art, autobiography and authority.
The Real World? is at Toronto’s Tarragon Theatre, playing through June 3, 2012.

Doors open at 7:00 pm and the readings start at 7:30.

On June 28, the 2012 George Woodcock Lifetime Achievement Award will be presented to Daphne Marlatt at the Vancouver Public Library.
We are also pleased to announce that Daphne Marlatt’s Liquidities: Vancouver Poems Then and Now will be appearing from Talonbooks in 2013.
Friday May 11, 2012 in News
This evening at the Vancouver Public Library at 7pm, four of the finalists for the 2012 Dorothy Livesay Poetry Prize will read from their nominated works.
The evening will be hosted by Evelyn Lau, Vancouver’s Poet Laureate.

Whether it is the fly-whisks or wingless locusts, North American readers and independent booksellers are abuzz about the new translation of Martine Desjardin’s novel Maleficium, which has already being reprinted, due to growing demand.
Brave readers will enter the realm of Vicar Jérôme Savoie’s Gothic-era confessional, where seven men, just returned from faraway lands, profess to have fallen victim to the strange and evil spells of a mysterious woman. Throughout the Middle East, these men sought the finest goods and rarest experiences the world had to offer, but as each came closer to the object of their desire, they were struck by debilitating maladies and crippling deformities. All seven had encountered a young woman with a scarred face and now they’ve come to warn the priest that she will soon bring her dark arts to bear against the Catholic church itself. It is not until the young woman enters the confessional that truth emerges and the crimes of the seven men come to light.
This evening at 7pm, please join Martine Desjardins and her award-winning translators, Fred A. Reed and David Homel, for the launch of this book in Montreal at the Drawn & Quarterly bookstore, where there will be a reading from this text.


This month, Governor General’s Poetry Award finalists Weyman Chan and Colin Browne will join local poetry impresario Daniel Zomparelli for a book launch at the Anza Club in Vancouver on May 15, followed by a launch at Audreys Books in Edmonton on May 23, and then a launch at Pages on Kensington in Calgary on May 24.
Also, ALL THREE titles are now available from Talonbooks!
Monday May 7, 2012 in News
bill bissett reading poetry on January 20, 2012 in conjunction with “LETTERS: Michael Morris and Concrete Poetry” at the Morris and Helen Belkin Art Gallery from January 13 through April 8, 2012.

Xavier Dolan is set to adapt the Michel Marc Bouchard play Tom a la ferme and he’ll be writing the screenplay in collaboration with Bouchard.
Dolan’s Laurence Anyways will have its world premiere later this month in the Un Certain Regard section of the Cannes Film Festival and will open in Quebec May 18.
Tom a la ferme made its bow at the Theatre d’Aujourd’hui last year. It is a drama about a guy, Tom, who only gets to know the family of his lover after his death and it turns out that his lover’s mother had no idea of the existence of Tom. The lover’s brother Francis forces Tom to keep quiet about his gay relationship.

Montréal à la Galluccio (Éditions de l’Homme), un guide qui présente les restaurants, terrasses, boutiques, bars et cafés de Montréal favoris de l’auteur et scénariste Steve Galluccio.

Margaret Reynolds, executive director of the Association of Book Publishers of B.C., speaks at a news conference on April 26, 2012, about the need to help the province’s creative sector become more competitive.
At present, registration is open for BCreative 2012, an inaugural conference and showcase to be held May 10 to 12, 2012 at Simon Fraser University’s downtown Vancouver venues. It is designed to bring together government, business, the creative sector, and researchers to stimulate thinking, policy and action directed at developing a strategy and levering resources to further build the creative economy and to help British Columbia BC become a leader in the creative sector in the twenty-first century.
For more information visit the SFU BCreative website.

Thursday May 10, 2012 in Meta-Talon
A Conversation with Martine Desjardins
A Conversation with Martine Desjardins about her novel Maleficium:
Maleficium is a shift for me, because I have left that realm to venture a little more toward the unreal. Thus the main female character has physical attributes that make her appear foreign, almost monstrous and alien. She has a harelip, but is also described as having a long tail, vulvar stamens, perfumed earwax, thorns growing from her scalp; she is seen carrying a larva in her navel, shedding tortoiseshell tears, extracting iridescent oil from her skin.
Thursday May 10, 2012 in Meta-Talon
The Long Goodbye: A Review of Morris Panych's Vigil
Morris Panych’s Vigil is reviewed by James MacKillop:
Once playwright Panych has won us over with the audacity of his concept, Kemp’s outrageous lack of compassion, he has given himself the problem of making this increasingly interesting for nearly two hours. Ratcheting up the zingers works for a start: “I’m concerned about your health these past few days: It seems to be improving.” This escalates until Kemp introduces a do-it-yourself suicide machine, with a lethal brick and an electrocutionist’s helmet.
Wednesday May 9, 2012 in Meta-Talon
Do You Pass the Empathy Test for Conceptual Writing?
Does Adeena Karasick consider herself a “conceptual” writer? Here is her response:
So, in asking “Do you consider yourself a Conceptual Poet”, one has to ask – where do the aesthetics begin and the friendships end? How do you continuously (contiguously) belong without belonging in an ever-widening circle of language, production, filiation, power and desire.
Monday May 7, 2012 in Meta-Talon
“Living the Border” with Guillermo Verdecchia
Steve Fisher interviews Guillermo Verdecchia about returning to Fronteras Americanas:
It’s a deeply Canadian play, and while I think it makes sense in other places—you could take this play to Mexico, or Argentina, or anywhere, because these borders and bi-cultural negotiations take place all over the world—it’s of ongoing interest to Canadians. It’s another way of looking at our nation; there are plays that have been produced in Canada that hold up an image that I don’t believe ever existed, but we like to think did…
We gratefully acknowledge the financial support of the Canada Council for the Arts; the Government of Canada through the Canada Book Fund; and the Province of British Columbia through the British Columbia Arts Council for our publishing activities.
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